The career of Sonia Gechtoff, who died in 2018, at the age of ninety-one, was full of risky experiments and reinventions. A prominent San Francisco Abstract Expressionist, she moved to New York in 1958 and proceeded to be unclassifiable for the next six decades. Many of the paintings in “Objects on the New Landscape,” a spottily dazzling two-gallery exhibition, were completed in the eighties and have the bright crispness of nineteenth-century Japanese prints (Hiroshige was a key influence), with a feathery texture that comes from graphite shading. A few are a notch too facile, but the best, like “Moon Rising” (1989), have a fizzing glow that insinuates itself in the memory and refuses to leave.—Jackson Arn (Andrew Kreps through Feb. 10; Bortolami through March 2.)
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