David Richard Gallery | News

May 5, 2021
Can’t Find a Ticket to Frieze? Try a Satellite Fair
The New York Times
Martha Schwendener
May 5, 2021
News

Zürcher Gallery on Bleecker Street shows what fairs are good at: bringing new artists to your attention.

If you can’t buy tickets for Frieze at the Shed, you can still attend a satellite fair like “The 11 Women of Spirit” at Zürcher Gallery, which is essentially a group show of female artists, now in its third iteration. (“Women of Spirit, Part 4” will appear at the Armory Show in New York in September.)

The inspiration for the title was an 18th-century French term “Femmes d’esprit,” referring to independent-minded female artists and intellectuals often overlooked by the mainstream artistic culture. (Zürcher also has a gallery in Paris.) The artists here qualify in one way or another, and this is what art fairs are good at: bringing artists to our attention.

Among the happy finds is Dee Shapiro, whose mixed-media work “My Dream” (2021) clearly riffs on Henri Rousseau’s “The Dream” (1910), at the Museum of Modern Art. In Shapiro’s remake of Rousseau’s painting, she collages the British singer Amy Winehouse’s face into the work.

Angela Valeria’s moody, vaguely surrealist portraits include a “Girl With Goldfish” (2020) — the goldfish is on the young lady’s head — and a “Nurturing Male” (2020) cradling a white bird in his hands. The Paris-born sculptor Anne de Villeméjane, who lives in New York, has created a small colony of slender cement sculptures on metal spikes, depicting women. These recall Alberto Giacometti’s tall, thin bronze figures.

Margaret Jolly’s paintings show the widespread influence of the Swedish artist Hilma af Klint since that blockbuster exhibition at the Guggenheim. Jolly has (either unwittingly or not) imbibed af Klint’s serene pastel palette and curving, diagrammatic approach to abstraction. Nicole Parcher’s playful “Cake Fight” (2020) is a somewhat slight gesture: a bunch of gold-colored balloons, confetti-printed plastic and yellow police tape. It is fun nonetheless.

I was already familiar with Susan Bee’s writings and paintings — particularly through her exhibitions at the women-founded A.I.R. Gallery, now located in Brooklyn’s Dumbo. At the Zürcher show, Bee shows paintings that combine various historical mythologies, using brightly colored animals, plants and human figures drawn in a faux-naïve style and influenced by dreamy, visionary artists like Chagall.

There are copious nods to famous male artists here. This, of course, reflects the fact that, for millenniums, men have ruled most art worlds. Perhaps the ascendancy of af Klint and these femmes d’esprit are encouraging a shift in that axis.

11 Women of Spirit, Part 3, a Satellite Fair of Frieze

Through May 9, Zürcher Gallery, 33 Bleecker Street

Dee Shapiro, right, speaks with a visitor at Zürcher Gallery about her work “My Dream” (2021) in the show “11 Women of Spirit, Part 3.”Credit...Gabriela Bhaskar for The New York Times

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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