David Richard Gallery | News

November 30, 2019
Golden Hours
20 Nov — 20 Dec 2019
at the David Richard Gallery in New York, United States

News

David Richard Gallery is pleased to announce “Golden Hours,” a solo exhibition of paintings by Dubrovnik-based Croatian artist Izvor Pende, curated by Lara Pan. This will be Pende’s debut exhibition with the gallery and his first solo exhibition in New York City.

This series of paintings by Pende was created from 2016 through 2018 in Dubrovnik, his seaside hometown, which has a rich history and architecture dating back to the middle ages. Pende works in the expansive tradition of the renaissance man, freewheeling in his influences. His photographic memory unconsciously (or perhaps consciously) flirts with the idea of the “golden hour”—that moment just after sunrise or before sunset that blankets the landscape in a warm glow. The palettes and scale of the compositions impart a feeling of being outdoors, watching the sun beginning to set as the hues change to warmer colors, then cooler and eventually, into darkness. His paintings are structured compositions with controlled lines and episodes of gestural brushwork echoing the view of landscape and architecture.

Pende raises the question of whether the evolution of abstract art—like the evolution of modern art more broadly—is a series of deliberate responses to the experience of life in the 20th and 21st centuries? Or, is it a matter of how we perceive our surroundings and nature within the context of modern society, reflected back in the artworks? Abstract art offers a particularly unique opportunity to think about these phenomena in that it is evoked by visual stimuli that are not object-related and, therefore, remote from the usual daily visual experiences. This in turn raises the question of how one defines a visual stimulus?

Many of these paintings exhibit an undeniable influence of both natural and built environments in their composition, familiar spaces used to define and locate a place in the world. The compositions become a framework for experiencing the forces of nature, such as the sun rising and setting, the waves of the ocean and gusts of wind. Yet, Pende’s paintings are influenced by many other subliminal stimuli ranging from sounds, memory and even imagination, as the paintings can also evoke ghostly figures whose shapes are difficult to define. Each painting, with its specific series of lines, colors and organized shapes resonates with our perceptions of musical composition, giving the paintings an internal structure akin to rhythms and beats. And then, sometimes, as the painting begins to offer a declaration of how to see and interpret the composition, Pende pulls back on his defining and clarifying the content to maintain a mysterious relationship to the space and leaving it to the viewer’s interpretation.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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