Julian Stanczak (1928–2017)
Artforum, 03/28/2017
Julian Stanczak, a figurehead of the 1960s Op art movement, died at his home in Seven Hills, Ohio, on March 25, reports Alex Greenberger of Artnews. The artist’s paintings—sleek, scintillating, seductive, groovy—were said to have a “painterly expressiveness,” per Donald Judd, which made them stand out from other kinds of Op art production. Stanczak was featured in the seminal but critically maligned 1965 exhibition “The Responsive Eye,” a group show that attempted to make sense of Op’s currency and its historical precedents, organized by William C. Seitz at MoMA.
Stanczak was born in Borownica, Poland. The artist and his family were made to work at a Siberian labor camp during World War II. It was there that he developed encephalitis, which profoundly damaged his right arm. When he started making art, he could only use his left arm. It did not, however, impede his progress, as he was a prodigious maker of technically sophisticated and formally dense images. The artist managed to flee the camp and traveled through the Middle East and South Asia. He spent some time living in Uganda—the vivid coloration of his paintings was inspired by the sunsets he saw there. He went to the Cleveland Institute of Art for his undergraduate degree and received his MFA from Yale, where he studied under Josef Albers. He also taught at the Cleveland Institute from 1964 until 1995—Dana Schutz and April Gornik were among his students.
Stanczak’s paintings are in the collections of New York’s MoMA and the Metropolitan Museum of Art; the Museum of Fine Arts, Boston; the San Francisco Museum of Art; the Smithsonian American Art Museum and the Corcoran Gallery of Art in Washington, DC; the RISD Museum in Providence; the Milwaukee Art Museum; LACMA; and the Museo Tamayo and the Museo de Arte Contemporaneo in Mexico City, among other institutions. He has had exhibitions at many venues throughout the United States, including New York’s New Museum, Danese Gallery, and Mitchell-Innes & Nash (who represents the artist); the Cleveland Institute of Art; the Frederick R. Weisman Museum of Art in Malibu; the San Jose Museum of Art; the Columbus Museum of Art; and the Albright-Knox Art Gallery in Buffalo.
In a review of the artist’s exhibition at MoCA Cleveland for the December 2009 issue of Artforum, Christopher Bedford wrote, “There is a great deal of romance and heroism to be found in the relationship between Stanczak’s early life and the work he has chosen to make. And while that kind of biographical cache does not always serve an artist’s critical reception—romance and heroism are hardly the picks of today’s critical litter—it should here. An already powerful body of work is made only more so when coupled with a consideration of the man who produced it.”
Source Link: More information
Associated Artist
Associated News
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August 5, 2019
‘Optical Art’ to be shown at Fort Wayne Museum of Art
Wane.com
August 5, 2019
Dirk Rowley
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April 8, 2019
JULIAN STANCZAK
The Lobby Gallery, 499 Park Avenue, New York
On view through September 2019
Reception: Tuesday, April 9, 5-7 pm
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March 26, 2019
Rhythm, Rhythm, Everywhere
Toledo City Paper, 03/26/2019
Thena Cocoves
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July 28, 2018
Unique art 'treasure hunt' spans dozens of Ohio venues
The Blade, 07/28/2018
Roberta Gedert
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July 12, 2018
Cleveland Hopes to Become the Next Venice
The Wall Street Journal, 07/12/2018
Kelly Crow
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February 17, 2018
Julian Stanczak
Visual Art Source, 02/17/2018
Amanda Malloy
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February 9, 2018
Julian Stanczak at David Richard Gallery
Santa Fe New Mexican
Pasatiempo, 02/09/2018
Michael Abatemarco
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February 8, 2018
Love is in the Art
Santa Fe Arts Journal, 02/08/2018
Emily Van Cleve
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January 31, 2018
Press Release - Julian Stanczak "Dynamic Fields"
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July 22, 2017
FRONT International: Cleveland Triennial for Contemporary Art
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April 19, 2017
Julian Stanczak’s Contribution to Cincinnati Art
City Beat, 04/19/2017
Steven Rosen
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April 11, 2017
Julian Stanczak, Abstract Painter, Dies at 88
New York Times, 04/11/2017
Roberta Smith
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March 31, 2017
Julian Stanczak on the Power of Red
ArtInfo, 03/31/2017
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March 28, 2017
Op Art Loses One of Its Leading Figures With Death of Julian Stanczak
ArtNet News, 03/29/2017
Perwana Nazif
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March 28, 2017
Julian Stanczak, Central Figure of Op Art Movement, Dies at 88
ArtNet News, 03/28/2017
Alex Greenberger
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March 28, 2017
Julian Stanczak (1928–2017)
Artforum, 03/28/2017
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March 27, 2017
Julian Stanczak, globally renowned Op artist based in Cleveland, has died at age 88
Cleveland.com, 03/25/2017
Steven Litt, The Plain Dealer
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December 16, 2015
Julian Stanczak Op Art paintings smash local price ceiling and rocket nationally
Cleveland.com, 12/16/2015
Steven Litt
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January 29, 2015
Color Color' evokes harmony between two disparate mediums
The New Record, 01/29/2015
Christina Drobney
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December 15, 2014
'Color Color' at the Cincinnati Art Museum showcases digital prints and poetry
ArtDaily.org, 12/15/2014
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March 3, 2014
Press Release - Julian Stanczak "Lineal Pathways"
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February 23, 2014
1969 Cleveland Arts Prize for Visual Arts
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April 30, 2013
JULIAN STANCZAK
COLOR WONDER
Cleveland Magazine, May 2013
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April 8, 2013
AKRON ART MUSEUM
Line Color Illusion: 40 Years of Julian Stanczak
Apr 13, 2013 - Nov 3, 2013
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October 16, 2012
THE MARKET'S HOTTEST ARTISTS
Bloomberg.com, 10/16/2012
Ben Steverman
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May 1, 2012
An Interview with Artist Julian Stanczak
GeoForm, May 2012
Julie Karabenick
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May 1, 2012
An Interview with Artist Julian Stanczak
GeoForm, May 2012
Julie Karabenick
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December 13, 2011
JULIAN STANCZAK: GREAT COLORIST OF THE 20TH CENTURY
Cleveland Institute of Art, 12/13/2011
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November 6, 2011
Cleveland Institute of Art touts its own history in shows on Robert Mangold, Julian Stanczak and Ed Mieczkowski
Cleveland.com, 11/06/2011
Steven Litt
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September 21, 2011
CLEVELAND MUSEUM OF ART OPTICAL ART EXHIBIT A TEST FOR THE EYES
WEWS, 09/21/2011
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August 23, 2011
Press Release - Julian Stanczak "Tactile See Through"
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November 1, 2010
The New Criterion review of "Julian Stanczak: Color - Grid"
Gallery Chronicle, November 2010
James Panero