David Richard Gallery | News

February 5, 2021
Michael Namingha: Altered Landscapes
IAIA Museum of Contemporary Native Arts
February 5, 2021

News

Michael Namingha’s (Tewa/Hopi) Altered Landscape series are abstract, photography-based works that juxtapose geometric shapes in bright neon colors against black-and-white aerial landscapes from the Four Corners region. The compositions are mounted to shaped plexiglass, creating the illusion of three-dimensional works.

Altered Landscapes address the environmental impact of the gas and oil industry: drilling stations, refineries, gas plants, fracking platforms, pipelines, and chemical storage are all situated in a drilling site around Chaco Canyon, a national historic park sacred to the ancestral Puebloans. More than 40,000 wells are in operation on federally leased land across the 7,500 square miles large San Juan Basin. While 34,0000 acres of the Black Place and nearby Chaco are protected from drilling and fracking, an overground pipeline runs through the Black Place. An estimated 140,000 New Mexicans live within half a mile of a drilling site. While the risks of methane waste and related pollution have not been extensively studied, they include health conditions such as respiratory ailments. According to the Environmental Defense Fund, these issues are hitting Indigenous communities particularly hard. While other artists deal with these themes head-on, Namingha’s work is in contrast non-confrontational, even quiet, inviting viewers to contemplate the devastating effects of the oil and gas industries on ancestral lands.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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