David Richard Gallery | News

March 1, 2021
Phoebe Adams – Memory and Exploration
Maine Arts Journal
Spring 2021

News

I often spend winters walking and painting in New Mexico. But during this time, I have remained in my old house in MidCoast Maine. No one is coming over anytime soon, so I leave things stacked on the kitchen counters, books and papers on the dining table, and dust balls in the corner. This simply doesn’t matter. Getting to the important things does—following the arc of history through great journalism, conversing on the phone with friends to get to some deep points of new thought on art and politics. As I am following the small and vital signs of nature on my walks and in the backyard, mostly alone, on the shores and in the woods, I call this observing “the Emily Dickinson effect.” Standing in one place to see the dynamic dark changes in our environment, and what that means to how we think about ourselves, seems even more crucial now. I take those thoughts into explorations in the studio.

The barometric pressure, bird migration, soil erosion, and water temperature may seem banal, but these overlapping stories make a deeper narrative that weighs on our basic assumptions about time. Nothing will ever be the same. The grief and loss wrought by this pandemic, and the rife social inequity that it has exposed, are caught in another maelstrom of climate crisis. I bring this mess into the studio every day, and wonder what concoction of overlapping images I can foster to voice these issues. Let me give dissonance its sprawl.

I am shaking hands with doubt. That and self-doubt are a sandwich I have for lunch. I try to make fierce, and hopefully beautiful, works that have some resonance with these weighings. If I feel particularly isolated and alone, I choose from the thousands and thousands of images of other people’s art that I have seen in a lifetime of looking at art to accompany me into the studio. One is always in some dialogue with someone in this way: today Amy Sillman, yesterday Per Kirkeby. Change seems to be the watchword at the moment when all seems to be stuck in non-change.

This is a time of deep reflection, thinking as a journey. Work in the studio has been changing as I read and see the perils of our time, the time of shifting systems, of reckoning with one’s neighbor. Our personal fragility and the fragility of our culture, resonates in decisions to act more boldly in the studio. I have been here on and off on this peninsula for nearly 60 years. What seems stable in the natural world is, in fact, evolving into a more perilous place. The rising tides, the eroding shores, the warming waters, the species that disappear in an ever more populated land, pull us towards change that’s hard to see sometimes. This nearly invisible change is also part of our collective dread. The beauty and the terror are side by side. I mine this conflicting vision for new work, eschewing pure abstraction. I have pivoted to more direct references in representation. The works are getting larger and moving to other surfaces from paper to canvas and wood. Change. This seems to harken back to my earlier sculptural work, in the most direct way I’ve experienced in a number of years.

In this suspended time, of course, I miss the gestures of affection that a peopled world brings. But from my place of privilege, I look out into the world of inequality and grief and wonder what it is that an artist can give in her studio in this tremendously perilous time. What can I offer? A gratitude for the solace nature brings, an urgency to make.

Source Link:   More information

Associated Artist

Associated Exhibitions

  • Phoebe Adams Nomad Walking

    526 West 26th Street, Suite 9E

    October 2, 2022 - November 11, 2022
    MORE INFO

Associated News

News Archive


May 30, 2024
January 28, 2024
November 27, 2023
May 24, 2022
February 23, 2022
July 20, 2021
May 11, 2021
November 16, 2020
March 27, 2019
March 16, 2019
July 1, 2017
July 1, 2017
July 1, 2017
July 1, 2017
January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

September 12, 2014
February 15, 2014
January 31, 2014
September 12, 2013
December 18, 2012
September 26, 2012
May 31, 2012
September 21, 2011