David Richard Gallery | News

November 7, 2021
"Water Paintings" by Julio Valdez on view in his first solo exhibition with David Richard Gallery
ArtDaily
November 7, 2021
News

NEW YORK, NY.- David Richard Gallery is presenting Julio Valdez, Water Paintings, in his first solo exhibition with the Gallery. The presentation includes a selection of 15 paintings created from 2012 through 2019 and one earlier painting from 2008 when the artist initially embarked on this ambitious and extensive body of work. The sizes of the paintings in this presentation range from 12 x 10.5 inches up to 54 x 76 inches. Some of the largest paintings were prepared for and included in the 58th edition of the Venice Biennale where Valdez represented the Dominican Republic.

The Dominican Republic is situated between the Caribbean Sea and Atlantic Ocean. Thus, water was an essential part of Valdez’s upbringing. The ocean was a source of beauty as well as entertainment, livelihood, and commerce. However, as an adult, accomplished artist, and father, Valdez realized that the water and its beauty was not only the source of wonder and awe that inspired him to study and pursue art as a career, but full of literal and metaphorical depth, rich with historical, cultural, and political significance. These literal and metaphorical aspects have also become rich sources of imagery and exploration for the artist, imbuing his artwork with thought provoking visuals and critical content throughout his career. However, the cultural and political significance is scrutinized with a more critical eye, especially in the series of Water Paintings, now that he is a father and emigrant who views the ocean with his son in sight and through a bicultural lens.

Julio Valdez’s exhibition, Water Paintings are on view from November 3 through November 24, 2021, on the Ground Floor at David Richard Gallery located at 211 East 121 Street, New York.

Formally, the Water Paintings are painted with a maturity and attention to detail of a seasoned and highly observant artist. The sophistication of their execution and realistic qualities make them almost photo-real from a distance, but the artist’s hand is ever present. Valdez painstakingly laid many thin transparent layers of medium and pigment to capture the translucency, luminosity, and hues of the sea at various times of day and respective differences in the quality of light, including intensity, incidence, and spectrum. The result is near-pristine flat surfaces, harmonic color palettes and dynamic color adjacencies.

Conceptually, the surfaces of the Water Paintings function metaphorically to contrast the perceptions of what one thinks they see beneath the surface of the water versus what one actually sees if they go beneath the surface. The view beneath the surface is still distorted through the water which functions like a thick lens, but with far fewer reflections and distractions from the glare of light and fragmented view below due to the water’s rippled surface. Painting the surface of water is challenging and dizzying as it is a broken and abstracted view of what is below the surface, like seeing multiple views of an object simultaneously. The mind can make sense of it to determine the object, but it lacks visual features and accuracy of the whole. Thus, the view is very illusory in terms of scale, proportion, detail, and color, which makes the surface perfect for abstracting any object below it.

Julio Valdez was born in Santo Domingo, the Dominican Republic, in 1969. Currently, he lives and works in New York City, since 1993.

Valdez is a painter working in oil and acrylic media, a master printmaker and installation artist. He is also a teaching artist and mentor for emerging artists. His work is included in private and institutional collections nationally and internationally. In 2019, Valdez represented the Dominican Republic at the 58th Venice Biennale with works from the same series.

Recent exhibitions in 2021, included: Inside - Outside, Upside Down, at The Phillips Collection and I Can’t Breate, a public art installation in Harlem. A survey of his work will also be included at the Art Museum of the Americas at Organization of American States (OAS), Washington, DC. in 2022.

Valdez first museum exhibition was at the Omar Rayo Museum in Colombia in 1988. Since then he has had 32 solo exhibitions in galleries and institutions nationally and internationally and has participated in more than 100 group exhibitions.

Valdez is an award-winning artist whose work received prizes in printmaking at the national biennials 1990, 1992, 1994, 1996 and 1998 at the Museo de Arte Moderno, Santo Domingo. He also received international awards, including the Silver Palette for Painting at the XXX International Painting Festival, Cagnes-sur-Mer, France in 1998, and the Grand Prize at the XVII E. Leon Jimenez Biennial in the Dominican Republic in 2000.

Fellowships include, Artist-in-Residence at The Studio Museum in Harlem, 1997-98, Artists in the Marketplace program, Bronx Museum of the Arts, New York Foundation for the Arts Fellowship 2003, National Academy of Arts Fellowship, New York, for Advanced Studies in Public Art.

In 2013, he opened an alternative gallery and printmaking workshop, JVS Project Space in his studio to mentor under-represented artists and provide exhibition opportunities. The gallery relocated to a street level space in East Harlem earlier this year.

For more than 20 years Valdez has hosted workshops and seminars in New York City, Washington DC and Puerto Rico.

His fine art training began in the Dominican Republic 1984-1986 at the National School of Fine Art, Santo Domingo and 1986-1988 at the Altos de Chav?n School of Design, La Romana. He later studied printmaking in New York City with Robert Blackburn and Kathy Caraccio.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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