March 1, 2020
Press Release - Leo Valledor "Dimensional Space"
News

LEO VALLEDOR
Dimensional Space



March 1 through March 27, 2020

Opening Reception: Sunday, March 8, 4 to 7 PM


David Richard Gallery, LLC

211 East 121 Street | New York, NY 10035
P: (212) 882-1705
www.davidrichardgallery.com

David Richard Gallery is pleased to present its fourth solo exhibition of paintings by Leo Valledor. The current presentation, Dimensional Space, focuses on rectilinear forms with slanted and angled perimeters at the intersection of vector geometry, reductive planar shapes, minimal palettes and shaped canvases to create illusions of extreme perspectival and three-dimensional space in a two-dimensional picture plane. The exhibition will be on view from March 1 through March 27, 2020 at David Richard Gallery located at 211 East 121 Street, New York, New York 10035, P: 212-882-1705.

This presentation, together with the Gallery’s previous solo exhibition for Valledor in 2018, Curved, which focused on the curvilinear and circular shapes as well as multi-component canvases from the 1950s through the 80s, make clear the importance of Valledor’s paintings as the channel for his life-long pursuit of geometry and color and fusion of the complexity of space, rhythm of jazz music and awareness of poetry using his unique visual language in pictures. Quite simply, those elements defined Valledor’s career: initially as part of the Bay Area Beat Scene in the Fillmore district, then Park Place Gallery and artist collective in New York in the 1960s, then back in his hometown of San Francisco for the remainder of his career. Valledor thought that the paintings from the 1980s represented the pinnacle of his painting career; they were the culmination of his decades of explorations in visual art and his passion for and the influence of music and poetry on his art making practice. The paintings in the current presentation, Dimensional Space, were produced in that final decade before he passed away far too young in 1989, but more specifically, from the first half of that decade in the years1980 through 1984.

About Leo Valledor:

Leo Valledor (1935-1989), a Filipino-American artist who grew up in the Fillmore district of San Francisco, studied Abstract Expressionism at the California School of Fine Arts (currently, San Francisco Art Institute) and was part of the “Beat” scene—the cross cultural and dynamic fusion of visual art, jazz music and poetry. He exhibited his artwork at the 6 Gallery in San Francisco from 1954 to 1957 alongside Jay de Feo, Manuel Neri and Peter Forakis, among others. His first exhibition was the same year and location of Alan Ginsberg’s first public reading of his poem, Howl.

The late 1950s marked a dramatic shift in Valledor’s art to a reductive palette and simple geometric shapes. In 1961 he moved to New York and in 1962 was a founding member of the Park Place Group, an artist collective and exhibition venue for experimental art in Lower Manhattan. The founding members, many also transplants from the West Coast, were comprised of five painters: Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, Leo Valledor and five sculptors: Mark de Suvero, Peter Forakis, Robert Grosvenor, Anthony Magar and Forrest Myers. The gallery director was Paula Cooper. The group formed to explore their mutual interest in literal and illusory space, music and social concerns. In New York, Valledor’s new minimalist tendencies were appreciated by and exhibited with Sol Le Witt, Robert Smithson, Ed Ruda, Mark di Suvero, Peter Forakis and Tamara Melcher, among others. In 1968, Valledor returned to San Francisco where he continued to explore his unique abstract painting that extended musical harmonies and rhythms to shaped canvases and colors.

Leo Valledor had over 22 solo and two person exhibitions in important galleries and museums on both coasts, including Park Place Gallery and Graham Gallery in NY and 6 Gallery, Modernism, Dilexi Gallery and Daniel Weinberg Gallery in San Francisco, as well as the M.H. de Young Memorial Museum and San Francisco Museum of Modern Art. Valledor’s artwork is included in many important public and private collections, including: Achenbach Foundation, Fine Arts Museums of San Francisco, San Francisco, CA; Allentown Art Museum, Allentown, PA; Berkeley Art Museum, University of California, Berkeley, CA; Crocker Art Museum, Sacramento, CA; The Daum Museum of Contemporary Art, State Fair Community College, Sedalia, MO; De Young Museum, Fine Arts Museums of San Francisco, CA; The Dorothy and Herbert Vogel Collection: “Fifty Works for Fifty States”; Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT; Oakland Museum of California; Philadelphia Museum of Art, Philadelphia, PA; SFMOMA, San Francisco, CA; St. Louis Art Museum, St. Louis, MO; University of Agder, Kristiansand, Norway; US Department of State Art in Embassies Program, Washington D.C.; The Whitney Museum of American Art, New York; Yale University Art Gallery, New Haven, CT.

About David Richard Gallery:

Since its inception in 2010, David Richard Gallery has produced museum quality exhibitions that feature Post War abstraction in the US. The presentations have addressed specific decades and geographies as well as certain movements and tendencies. While the gallery has long been recognized as an important proponent of post-1960s abstraction—including both the influential pioneers as well as a younger generation of practitioners in this field— in keeping with this spirit of nurture and development the gallery also presents established artists who embrace more gestural and representational approaches to the making of art as well as young emerging artists.

In 2015 David Richard Gallery launched DR Art Projects to provide a platform for artists of all stripes—international, national, local, emerging and established—to present special solo projects or to participate in unique collaborations or thematic exhibitions. The goal is to offer a fresh look at contemporary art practice from a broad spectrum of artists and presentations. The Gallery opened its current location in New York in 2017.


All Artwork Copyright © Leo Valledor Estate, Courtesy David Richard Gallery.

For additional information please contact:
David Eichholtz, Manager
Mobile: 917-853-8161
D@DavidRichardGallery.com

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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