David Richard Gallery | New York - Press Release - Lester Rapaport <i>Outside / Inside</i>

January 16, 2023
Press Release - Lester Rapaport Outside / Inside
News

LESTER RAPAPORT
Outside / Inside


January 17 - February 10, 2023

Opening Artist Reception:
Saturday, January 21, 2023 from 3:00 to 6:00 PM


CHELSEA LOCATION
508 West 26th Street, Suite 5C


David Richard Gallery, LLC
508 West 26th Street, Suite 9E | New York, NY 10001
P: (212) 882-1705
www.davidrichardgallery.com



NOTE: The number of people in the gallery at any one time will be limited for safety purposes due to the pandemic and face coverings are required for entry and at all times

Private viewings are available by appointment, please call or email the gallery to schedule.


David Richard Gallery is pleased to present Outside / Inside, an exhibition by New York-based artist Lester Rapaport and his third solo presentation with the gallery in New York. The exhibition is comprised of eight paintings from two distinct series (four paintings from each series) that were produced nearly 40 years apart. Not only is there an aesthetic interaction between the two bodies of work, but also a conceptual underpinning binding them together such that each represents an endpoint (at this point in time) of a long and ongoing spiritual journey for the artist. To emphasize the significance and interaction between the two series of paintings, they are presented in pairs, one earlier painting from the 1980s hung alongside a newer single disc painting from the 2020s. At first glance, the color palettes seem to be the only thing holding the two, otherwise disparate, compositions together, but the artist’s journey creates a much bigger picture comprised of the two series.

The earliest series, Gifts to the Universe, painted in the mid-to-late 1980s (years 1983-85 are presented in this exhibition), represents Rapaport’s “awakening” in spiritual terms. This series began his intensive meditation practice, bringing him wisdom and serenity at a “micro” or “inner” level as well as elevating his consciousness through reading about the theory of relativity, astrophysics, and psychology as he contemplated his place in the cosmos on a “macro” or “outer” level. The imagery in this earlier series is bold, full of vibrant colors, fluorescence, and animated gestures across the canvas. More important, at Rapaport’s early stage on his path to enlightenment, the painted imagery is meant to emulate and picture the complexities of space, time, intricate workings of the human mind (micro level) with overlapping layers of information, processing sounds, multiple visual stimuli, and memories as well as the external environmental provocations surrounding humans 24/7 (the macro level). Thus, the earlier series is about “looking” and “seeing”, both the world around Rapaport and within his mind and soul.

The two series of paintings represent different periods in Rapaport’s life and spiritual progression using meditation and evolving his mindfulness to reach a higher level of consciousness and awareness. Aesthetically, the newer paintings created since 2020 from the series, Into the Mystery, “reflect and inhabit an integrated, centered, balanced, emotional, but quiet sense of being. Both series are investigations and aids for exploring an expanded consciousness,” according to Rapaport. The new paintings immediately produce a calm in the viewer with their ethereal, often muted, and subdued, palettes as well as the single, centrally located, floating orbs. The lack of complexity, uniform compositions comprised of primary shapes and soft hues immediately lower the visual stimuli and function as meditation centers.

As an artist, Rapaport could not resist channeling the imagery and teachings of art history’s masters to help him picture what is hard to explain in words. In the earlier series of paintings from the 1980s, Gifts to the Universe, picturing the complexities of space and creating the illusion of spatial depth, Rapaport was inspired by: the drips, automatism and layering of Jackson Pollock; the multiple and simultaneous views from the Cubists; and Henri Matisse’s bold use of color and form as well as leveraging positive and negative space to create strong figure / ground relationships. Regarding the newer paintings from the series, Into the Mystery, Rapaport was very moved and inspired by the brushy, pillowy soft, ethereal, dream-like surfaces produced by Mark Rothko and his large canvases.

About Lester Rapaport:

Rapaport (b. 1947), born and raised in New York City, earned his BFA in 1969 and pursued graduate studies at Hunter College. Initially trained and concentrated on figurative painting and drawing, by the late 1960s he switched entirely to abstract painting. The 1970s were a bit of a lost decade for the artist due to health issues and other personal matters. However, he reemerged in the early 1980s and has consistently produced challenging and inter-related series of abstract artworks that he has exhibited mostly in and around New York. His strongest affiliations have been with Westbroadway Gallery in New York and Sideshow Gallery in Brooklyn.

About David Richard Gallery:
Since its inception in 2010, David Richard Gallery has produced museum quality exhibitions that feature Post War abstraction in the US. The presentations have addressed specific decades and geographies as well as certain movements and tendencies. While the gallery has long been recognized as an important proponent of post-1960s abstraction—including both the influential pioneers as well as a younger generation of practitioners in this field—in keeping with this spirit of nurture and development the gallery also presents established artists who embrace more gestural and representational approaches to the making of art as well as young emerging artists.

In 2015 David Richard Gallery launched DR Art Projects to provide a platform for artists of all stripes—international, national, local, emerging and established—to present special solo projects or to participate in unique collaborations or thematic exhibitions. The goal is to offer a fresh look at contemporary art practice from a broad spectrum of artists and presentations. The Gallery opened its current location in New York in 2017.

All Artwork
Copyright © Lestor Rapaport
Courtesy David Richard Gallery.

All Photographs by Yao Zu Lu

Associated Artist

Associated Exhibitions

Associated News

News Archive


May 30, 2024
January 28, 2024
November 27, 2023
May 24, 2022
February 23, 2022
July 20, 2021
May 11, 2021
November 16, 2020
March 27, 2019
March 16, 2019
July 1, 2017
July 1, 2017
July 1, 2017
July 1, 2017
January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

September 12, 2014
February 15, 2014
January 31, 2014
September 12, 2013
December 18, 2012
September 26, 2012
May 31, 2012
September 21, 2011