David Richard Gallery | New York - Press Release - Thornton Willis <I>A Painting Survey, Six Decades: Works from 1967 – 2017</i>

March 26, 2022
Press Release - Thornton Willis A Painting Survey, Six Decades: Works from 1967 – 2017
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THORNTON WILLIS
A Painting Survey
Six Decades: Works from 1967 - 2017


An Exhibition with Two Concurrent Presentations
at Both Gallery Locations in New York:
Chelsea on West 26th Street
and Uptown on East 121st Street

CHELSEA LOCATION
508 West 26th Street, Suite 9E, New York, NY 10001
P (212) 882-1705
Wednesday - Saturday 11:00 a.m. - 6:00 p.m
And by appointment

March 30 - April 29, 2022
Artist Reception: Thursday, March 31st from 5:00 - 8:00 PM


UPTOWN LOCATION
211 East 121st Street, New York, NY 10035
P (212) 882-1705
Wednesday - Saturday 12:00 p.m. - 5:00 p.m
And by appointment

April 6 - May 6, 2022
Artist Reception: Wednesday, April 6th from 5:00 - 8:00 PM



David Richard Gallery, LLC
508 West 26th Street, Suite 9E | New York, NY 10001
P: (212) 882-1705
www.davidrichardgallery.com




David Richard Gallery is pleased to present a solo exhibition for New York- based artist Thornton Willis, his first exhibition with the gallery and in depth survey of his paintings spanning six decades. The presentation will include geometric and color abstractions created by Willis in New York from 1967 through 2017 with a focus on iconic examples from each of his important aesthetic series: Slats, Wedges, Zig-Zags, Triangles, Prismatics, Lattices, Cityscapes, and Steps. While mid-sized and smaller artworks are available by Willis, the focus is on the large-scale paintings, of which many have not been presented in decades.

This is a rare opportunity to see such a vast and inclusive presentation of Willis’s artworks organized aesthetically and chronologically. Also, this is a scholarly opportunity to fully experience the progression and consistency in Willis’s intuitive and organic approach to using color and geometry as his visual language throughout the decades. Each painting and series reveal his passion: celebrating the act of painting, the artist’s hand, and mark making, all of which, along with his process, is fully exposed including the initial pencil marks and each addition and edit along the way. Willis’s paintings reflect himself, specifically his honesty and authenticity, both as an artist and human being. Willis is true to himself, traveling his own path and trusting his instincts. Maybe he makes a few mistakes along the way, but not apologetic as he corrects and pushes forward, delivering the goods every day.

This solo exhibition for Thornton Willis, A Painting Survey, Six Decades: Works from 1967 – 2017, will be presented in two concurrent presentations at David Richard Gallery in New York at both of the Gallery’s locations in Chelsea (at 508 West 26th Street, Suite 9E, New York, NY 10001 from March 30 - April 29, 2022) and Uptown (at 211 East 121 ST, New York, NY 10035 from April 6 - May 6, 2022). Images of the artworks, installation views, and video discussions with Willis are available for viewing at the following link https://davidrichardgallery.com/exhibit/587-thronton-willis.

Simultaneously, Thornton Willis will also have another major survey of his artworks spanning his career and curated from his paintings in the permanent collection of the Sarah Moody Gallery of Art at the University of Alabama in Tuscaloosa, AL 35487-0270. That presentation will also include a collection of drawings on loan to the museum from Thornton Willis. The presentation will be on view from March 31 to May 19, 2022.

About Thornton Willis:

“ The best painting is always “open-ended”. Paintings that aim for resolution lack a dynamic. Open-ended work asks questions, and partners with the viewer to bring the experience to closure. Or it might excite another painter to respond, either for or against. This requires a deep understanding of the nature of ambiguity as a reflection of life and what imparts to all art its energy. This is what I aim for in my work.”

Thornton Willis was born in Pensacola, Florida on May 25, 1936. His father, a founding minister in the Church of Christ, envisioned that his son would follow in his footsteps. Instead, Thornton decided, after the Marine Corps, to go to Auburn University and pursue a degree in architecture. It was at Auburn that Thornton became convinced that his true calling lay in the realm of pictorial image making. He transferred to and graduated in 1962 from the University of Southern Mississippi. In l966, he completed his Masters work at the University of Alabama in Tuscaloosa. There he found a mentor in expatriate New York School painter, Mel Price who was a close friend of painters Franz Kline and Willem deKooning. Price encouraged Thornton to pursue his career in New York City. They both were involved in the Civil Rights Movement and participated in the Selma to Montgomery March in l965.

Thornton moved to New York in 1967 and taught at Wagner College in Staten Island. Tom Young, then Chairman of the Department of Fine Art (and later at Louisiana State University in New Orleans) became a lifelong friend and ally. Thornton began showing his work with the Henri Gallery in Washington, D.C. (the first gallery to show abstract art in that city) and later with the Bykert Gallery, The Paley and Lowe Gallery in New York, and Simmone Stern Gallery in New Orleans. In the l980’s Willis was represented in the US by the Oscarsson Hood Gallery and in Europe by Claus Nordenhake, in Sweden. The Elizabeth Harris Gallery in New York began representing him in 2001.

Thornton Willis is the recipient of the John Simon Guggenheim Fellowship in Painting, The Pollock Krasner Award, The Gottlieb Award as well the National Endowment for the Arts. He has participated in gallery and museum exhibitions around the world. His artworks are represented in the permanent collection of The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, the Solomon R. Guggenheim Museum, New York, and most major public and private collections.

Thornton Willis has gone on record in various articles, interviews, and documentaries over the years that his work derives much of its strength from the work of the New York School of Abstract Expressionists. Twelve generations of American pioneers, farmers, and evangelists have also informed the work with a stark integrity, directness and singular pragmatic moral urgency.

About David Richard Gallery:

Since its inception in 2010, David Richard Gallery has produced museum quality exhibitions that feature Post War abstraction in the US. The presentations have addressed specific decades and geographies as well as certain movements and tendencies. While the gallery has long been recognized as an important proponent of post-1960s abstraction—including both the influential pioneers as well as a younger generation of practitioners in this field—in keeping with this spirit of nurture and development the gallery also presents established artists who embrace more gestural and representational approaches to the making of art as well as young emerging artists.

In 2015 David Richard Gallery launched DR Art Projects to provide a platform for artists of all stripes—international, national, local, emerging and established—to present special solo projects or to participate in unique collaborations or thematic exhibitions. The goal is to offer a fresh look at contemporary art practice from a broad spectrum of artists and presentations. The Gallery opened its current location in New York in 2017.


All Artwork
Copyright © Thornton Willis.
Courtesy David Richard Gallery.

All Photographs by Yao Zu Lu

Download:   Press Release - Thornton Willis A Painting Survey, Six Decades: Works from 1967 – 2017

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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