September 9, 2015
Press Release - Re-Op: ‘The Responsive Eye’ Fifty Years After

Re-Op: ‘The Responsive Eye’ Fifty Years After

October 2 - November 21, 2015

Opening Reception: Friday, October 2nd 5:00-7:00 PM

Gallery talk: Saturday, October 3rd 2:00-3:00 PM

David Richard Gallery, LLC
Railyard Arts District
544 South Guadalupe Street
Santa Fe, NM 87501
p 505-983-9555

David Richard Gallery presents the third in the series of exhibitions commemorating the 50th anniversary of “The Responsive Eye”. This particular presentation focuses on contemporary explorations of visual perception and features artwork by both earlier pioneers of Op Art and younger contemporary artists who have been reconsidering our understanding of visual perception. Re-Op: ‘The Responsive Eye’ Fifty Years After, curated by critic, curator, and historian Peter Frank and gallerist, curator and historian David Eichholtz, will be on view October 2 through November 21, 2015. There will be an opening reception with artists Matthew Kluber and Jack Slentz and the curators on Friday, October 2, from 5:00 to 7:00 PM, and a gallery discussion with the curators and artists on Saturday, October 3, from 2:00 to 3:00 PM. The gallery is located at 544 South Guadalupe Street, Santa Fe, New Mexico 87501, phone 505-983-9555 in the Santa Fe Railyard Arts District.

Re-Op: ‘The Responsive Eye’ Fifty Years After is the third installment of a critical series of presentations that has been reexamining the seminal exhibition organized by William C. Seitz in winter-spring 1965 at New York’s Museum of Modern Art. Re-Op presents contemporary artworks from many of the American artists who were included in the MoMA exhibition, including: Richard Anuszkiewicz, Karl Benjamin, Francis Celentano, John Goodyear, Ed Mieczkowski, Oli Sihvonen, Julian Stanczak and Tadasky. The artworks presented here were produced well after the Op Art craze and later in the careers of these artists, between 1983 and 2014. More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding visual perception by creating the illusion of three-dimensional space and motion using mostly line and color.

Presented alongside the original participants of “The Responsive Eye” are a large number of contemporary artists not included in that seminal exhibition, but inspired by it and its alumni mentioned above. Several were peers of the original participants; others were on the cusp but still finding their way. Even more interesting is the large number of young artists included in “Re-Op” who continue to comprehend and push the boundaries of visual perception with their use of new materials, processes, and supports. These range from aluminum, steel, reflective sign materials, and plastics to mosaics, collage, pattern, digital data, projections, the use of templates and stencils, as well as squeegeed and airbrushed paint. Some of the artworks are imbued with conceptual content that delivers not only an aesthetic punch, but also social and cultural messages, pushing the application of line and color to its limits. Participants from across the country include Peter Demos, Gabriele Evertz, Beverly Fishman, Christian Haub, Matthew Kluber, Tom Martinelli, Ruth Pastine, Paul Reed, Richard Roth, Jack Slentz, Robert Swain, Leo Valledor, Stephen Westfall, Sanford Wurmfeld, Mario Yrisarry and Eric Zammitt.

Since its inception, David Richard Gallery has produced museum quality exhibitions featuring Post-War abstraction in the US. The presentations have addressed specific decades and geographies as well as certain movements and tendencies, including Color Field, geometric and hard-edge abstraction, Op Art, Pop Art, Minimalism, Feminism, and Conceptualism in a variety of media. While the gallery has been recognized as a proponent of important historical abstraction from the 1960s through the 80s, as a contemporary art gallery it also exhibits younger generations of abstractionists who explore alternative media and supports and push the boundaries of expression. In keeping with this spirit of nurture and development the gallery also presents established and emerging artists who embrace more gestural and representational approaches to the making of art.

Associated Artist

Associated Exhibitions

Associated News

  • February 11, 2020

  • February 3, 2020

  • September 14, 2019

  • July 2, 2019

  • March 29, 2019

  • September 6, 2011

  • September 9, 2015

News Archive

March 27, 2019
March 16, 2019
July 2, 2017
July 2, 2017
July 2, 2017
July 2, 2017
January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

September 12, 2014
February 15, 2014
January 31, 2014
September 12, 2013
December 18, 2012
September 26, 2012
May 31, 2012
September 21, 2011