Tim Bavington

ARTWORK EXHIBITS NEWS/PRESS PUBLICATIONS CV/BIO

Résumé:

BIOGRAPHICAL INFORMATION

1966 Born in England Lives in the United States

EDUCATION

1999 M.F.A. University of Nevada, Las Vegas

1990 B.F.A. Art Center College of Design, Pasadena, California

SELECTED SOLO EXHIBITIONS

2010 Decade, Mark Moore Gallery, Santa Monica, California

Untitled, Greg Kucera Gallery, Seattle, Washington

2009 Up In Suze’s Room, Jack Shainman Gallery, New York, New York

2008 Hello, Hello, LeeAhn Gallery, Seoul, South Korea

There We Were, Now Here We Are, Mark Moore Gallery, Santa Monica, California

2007 Recent Paintings, Jack Shainman Gallery, New York,

So It Goes, Eleven Fine Art, London, England

2006 Drawings: 1998-2006, G-C Arts, Las Vegas, Nevada

2005 Galerie Richard, Paris, France

Jack Shainman Gallery, New York, New York

Space Gallery, London, England

Heather Marx Gallery, San Francisco, California

2004 Mark Moore Gallery, Santa Monica, California

2003 Greg Kucera Gallery, Seattle, Washington

Pulliam Deffenbaugh Gallery, Portland, Oregon

2002 Mark Moore Gallery, Santa Monica, California

James Kelly Contemporary, Santa Fe, New Mexico

2001 Feigen Contemporary, New York, New York

2000 Mark Moore Gallery, Los Angeles, California

Angstrom Gallery, Dallas, Texas

SELECTED GROUP EXHIBITIONS

2010 Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, Nebraska

Interval: Gene Davis, Kenneth Noland & Tim Bavington, Scott White Contemporary Art,

San Diego California

Tim Bavington & John Chamberlain, Seomi & Tuus, Seoul, South Korea

2009 Seeing Songs, Museum of Fine Arts, Boston, Massachusetts

Small Is Beautiful, Seomi & Tuus, Seoul, South Korea

Bowie, Clark & Faria, Toronto, Canada

2008 Las Vegas Diaspora, Laguna Art Museum, Laguna Beach, California, curated by

Dave Hickey (catalogue)

SOUNDWAVES: The Art of Sampling, Museum of Contemporary Art San Diego,

San Diego, California, organized by Stephanie Hanor

2007 Las Vegas Diaspora, Las Vegas Art Museum, Las Vegas, Nevada, curated by

Dave Hickey (catalogue)

SOUNDWAVES: The Art of Sampling, Museum of Contemporary Art San Diego,

San Diego, California, organized by Stephanie Hanor

Painting <=> Design, Claremont Graduate University,Claremont, California, curated by

David Pagel (catalogue)

2005 EXTREME abstraction, Albright-Knox Art Gallery, Buffalo, New York, curated by

Louis Grachos & Claire Schneider (catalogue)

Pattern, Dae Jun City Museum, Dae Jun, Korea (catalogue)

2004 Specific Objects; The Minimalist Influence, Museum of Contemporary Art, San Diego,

curated by Hugh Davies

2003 Structure, Patricia Faure Gallery, Santa Monica, California

Flair, Heather Marx Gallery, San Francisco, California

Drawings, James Kelly Contemporary, Santa Fe, New Mexico

2002 New In Town, Portland Art Museum, Portland, Oregon, curated by Bruce Guenther

Neo Painting, Young Eun Museum of Contemporary Art, Kwang ju-city, Korea,

(catalogue)

2001 The Magic Hour, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria,

curated by Alex Farquharson (catalogue)

2000 New American Talent, The Jones Center for Contemporary Art, Austin, Texas,

curated by David Pagel (catalogue)

Ultralounge, University of South Florida Museum of Contemporary Art, Tampa, FL,

curated by Dave Hickey (catalogue)

SELECTED ARTICLES / REVIEWS

Kilston, Lyra. “Exhibition Reviews”, Art In America, September 2010.

Pagel, David. “Tim Bavington at Mark Moore Gallery”, Los Angeles Times, Friday, April 30, 2010. Pincus, Robert L. “Stars and Stripes: three painters’ colorfield paintings”, The San Diego

Union-Tribune, Thursday, April 29, 2010.

Johnson, Ken. “Tim Bavington: ‘Up in Suze’s Room’”, The New York Times, Friday,

September 25th, 2009.

Moriarity, Bridget. “My Brilliant Career: Tim Bavington”, Art + Auction

(September 2009): 32.

Knight, Christopher. “His Stripes are a Wonderwall”, Los Angeles Times, Friday, March 21, 2008. Swenson, Kirsten. “Sin City Slickers,” Art in America (February 2008): 62.

Knight, Christopher. “Embracing and refining Las Vegas gaudy,” Los Angeles Times,

Tuesday, November 20th, 2007, sec E, 1.

Baker, Kenneth. “Tim Bavington at Heather Marx,” ARTnews, (May 2005): 148.

Pagel, David. “Colorful stripes to music, like a rock ‘n’ roll EKG”, Los Angeles Times,

Friday, April 9th, 2004, pg. E34.

Miles, Christopher. “Tim Bavington at Mark Moore Gallery”, Artforum (November 2002): 192. King, Sarah S.. “Sin City Sampler”, Art In America (July 2002): 51- 53.

Pagel, David. “Aperto Las Vegas”, Flash Art (March-April 2002): 57.

Indyke, Dottie. “(Las) Vegans”, Art News, (May 2002): 176.

Knight, Christopher. “Tim Bavington Sprays Exhuberant Visual Music”, Los Angeles Times,

Friday, July 12th, 2002, sec F, 19.

Smith, Roberta. “Tim Bavington and Yek”, New York Times, Friday, September 28th, 2000. Pagel, David. “Tim Bavington at Mark Moore Gallery”, Art Issues

(September/ October 2000): 50.

CATALOGUES

Las Vegas Diaspora. Curated by Dave Hickey, published by Las Vegas Art Museum, Las Vegas,

Nevada, 2007.

Gene Davis:Interval. Essays by Jean Lawlor Cohen and Andrea Pollen, published by

The Kreeger Museum, Washington, DC, 2007.

Optic Nerve, Perceptual Art of the 1960’s. Essay by Joe Houston, published by the Columbus

Museum of Art/Merrill, Columbus, Ohio, 2007.

Painting <=> Design. Essays by Libby Lumpkin and David Pagel, published by

Claremont Graduate University, Claremont, California, 2007

Tim Bavington, paintings 1998-2005. Essay by Dave Hickey, published by Steidl, Gottingen,

Germany, 2005.

EXTREME abstraction. Curated by Louis Grachos & Claire Schneider, published by

Albright-Knox Art Gallery, Buffalo, New York, 2005.

Lorser Feitleson and the invention of hard edge painting. Essays by Henry T. Hopkins and

Michael Duncan, published by Louis Stern Fine Arts, West Hollywood, California, 2003. Neo Painting. Published by the Young Eun Museum of Contemporary Art, Quang ju-City,

Korea, 2002.

The Magic Hour, The Convergence of Art and Las Vegas. Edited by Alex Farquharson,

published by Neue Galerie, Graz, Austria, 2001.

New American Talent 15. Essay by David Pagel, published by the Texas Fine Arts Association,

Dallas, Texas, 2000.

Ultralounge, The Return of Social Space(with cocktails). Essays by Dave Hickey and

David Pagel, published by DiverseWorks, Houston, Texas, 1998.

COLLECTIONS

Allbright-Knox Art Gallery, Buffalo, New York

Arkansas Art Center, Little Rock, Arkansas

Blake Byrne Collection, Los Angeles, California

William H. Brady III, Los Angeles, California

Creative Artists Agency, Beverly Hills, California

Denver Art Museum, Denver, Colorado

General Mills Corporation, Minneapolis, Minnesota

Istanbul Modern, Istanbul, Turkey

Joslyn Art Museum, Omaha, Nebraska

MGM Mirage Corporation, Las Vegas, Nevada

Marnell Corrao Corporation, Las Vegas, Nevada

Museum of Contemporary Art, San Diego, California

Museum of Modern Art, New York, New York

Neiman Marcus Corporation, Dallas, Texas

Nevada Cancer Institute, Las Vegas, Nevada

Palm Springs Art Museum, Palm Springs, California

Portland Art Museum, Portland, Oregon

Progressive Insurance Corporation, Cleveland, Ohio

Sammlung Mondstudio, Hamburg, Germany

Thomas & Mack Co., Las Vegas, Nevada

United Talent Agency, Beverly Hills, California

Vivendi Universal, Los Angeles, California

Frederick R. Weisman Art Foundation, Los Angeles, California

Steve and Elaine Wynn Collection, Las Vegas, Nevada

The Museum of Fine Arts, Houston, Texas