David Richard Gallery is pleased to present Slow Burn by artist Galen Cheney in her first solo exhibition with the gallery in New York. The presentation includes 14 paintings from 2014 through 2021 that fall basically into two categories based on the artist’s approach: painting on a stretched canvas versus painting in an unconfined way on unstretched supports that includes the addition of collaged canvas elements, fabrics and other materials that are either stretched later or hung unstretched as a tapestry. Not surprising, the imagery is also distinctly different between the two approaches. First, color, vivid color, is a key component with both approaches. Second, the compositions differ between the two methodologies in that the paintings emerging on the stretched supports are a mix of gestural strokes, textured and sometimes impasto passages with blocky and layered forms of color and a balanced composition across the canvases. However, in the recently developed unbounded method, the compositions seem to evolve, more spontaneous with notable use of lyrical and directional lines that radiate from within the compositions, running off the canvas or into other collaged elements and a greater use of defined shapes ranging from geometric to loops and long sweeping curves combined with her love of nonobjective gestural and color field approaches to painting.