February 16, 2013
JUDY CHICAGO
Woven and Stitched
February 15 – March 23, 2013

Gallery Lectures and Discussions on Tapestries and Textiles:
Saturday, February 23, 2:00—4:00pm

David Richard Gallery is pleased to present, Woven and Stitched, a solo exhibition of selected textiles by artist Judy Chicago that were created from 1983 through 2000 and part of Birth Project and Resolutions for the Millennium: A Stitch In Time. These works examine not only our birth, but how we can live as human beings in a global community by taking a new look at old proverbs and words of wisdom—a thought provoking collection of powerful images and texts.

Chicago’s feminist work, writing, teaching and artistic practice has elevated women and their voices in the arts, and culturally as well. She celebrates through her textile work those art-making practices that are frequently misunderstood and considered craft, low art or feminine domestic activities by incorporating them in her examination and critique of monumental projects of global importance, such as creation, human rights, personal freedom and dignity. She frequently utilizes weaving, embroidery, appliqué, quilting, beading and other textile practices in her major theme-based projects, including The Dinner Party, Birth Project, PowerPlay, Holocaust Project and Resolutions for the Millennium: A Stitch In Time. Emphasizing participation and collaboration in the art-making practice imbues her protest-based artwork with solidarity. Chicago’s artwork is strategic with a long-term view and life-long commitment to creating and implementing change, not for only women, but for everyone who feels as though they are powerless and in the category of “other”.

In conjunction with Judy Chicago’s solo exhibition, Woven and Stitched, the gallery will also present another related solo exhibition, June Wayne, The Tapestries: Forces of Nature and Beyond, and host a series of lectures and discussions, June Wayne's Tapestries and Judy Chicago's Textiles, in the gallery on Saturday, February 23, 2013, 2:00 – 4:00 PM. The featured presenters will include:

Elissa Auther, Associate Professor of Contemporary Art, University of Colorado, Colorado Springs and Co-Director | Feminism & Co.: Art, Sex, Politics, Museum of Contemporary Art, Denver. Her book, String, Felt, Thread and the Hierarchy of Art and Craft (University of Minnesota Press, 2010) is the definitive text that examines the use of fiber in post-war American art and makes distinctions between “art” and “craft.”

Janet Koplos, a New York City-based art critic, writer and contributing editor for Art In America. She is co-author of Makers: A History of American Studio Craft (2010) and author of Contemporary Japanese Sculpture (1990) and other books. She has written extensively on crafts and on American, Japanese and Dutch contemporary art and has published approximately 2,500 articles, reviews and essays in some two dozen periodicals over the last 30 years.

In addition to Auther and Koplos, the discussion panel will include Judy Chicago, artist, educator, writer and feminist and David Eichholtz, art writer and curator at David Richard Gallery. Location: David Richard Gallery, 544 South Guadalupe Street, Santa Fe, NM 87501.

Featured in the viewing room will be a small exhibition of a number of edition works on paper by Judy Chicago from Birth Project, PowerPlay, Dinner Party and Erotica series.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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